A memorial service will be held Dec. 19 in St. Peter's Lutheran Church, 54th Street and Lexington Avenue. The indie film company co-founded by the Beastie Boys’ late, great Adam Yauch has acquired the North American rights to Horace B. Jenkins ’s … Available now for the first time in forty years in a brand-new, state-of-the-art 4k restoration.

TimesMachine is an exclusive benefit for home delivery and digital subscribers. Written, produced, and directed by Emmy Award-winning documentarian, Horace B. Jenkins, and crafted by an entirely African American cast and crew, CANE RIVER is a racially-charged love story in Natchitoches Parish, a “free community of color” in Louisiana. However romantic their settings, these discussions ultimately all revolve around the weight of history, and how things that happened 200 years ago still impact us today. Sorry, your blog cannot share posts by email. Peter was scouted by the pros but turned down an offer from the Jets, uncomfortable with a recruitment process that made him feel like he was on an auction block. One such film, “Cane River,” the only feature by Horace B. Jenkins, from 1982, was nearly lost—Jenkins died soon after completing it, the film went undistributed, and no archival print survived. Cane River is a 1982 American romantic drama film that was lost until its rediscovery in 2013 and its subsequent re-release in 2018 and beyond. Barely released in 1982 and all but unseen for over three decades, Horace B. Jenkins’ “Cane River” was an independent-film anomaly: a race and colorism-themed love story with an all-black cast, written and directed by a black filmmaker, financed by wealthy black backers. While much of the film involves the couple in tender, even idyllic, romantic moments — riding together on horseback or playing around a swimming pool — Cane River creates a unique tension where distant past and near future cause equal strain upon Peter and Maria’s love. (The scribblings we see in Peter’s notebook appear on the soundtrack as sexytime ballads sung by Phillip Manuel.). He was 42 years old and lived in Manhattan.

His father was also a documentarian; “Cane River” was his only fictional feature.

Maria’s dreams of going to college and becoming a self-sufficient woman in a big city also don’t match Peter’s idealistic vision of a poet’s life in the country. Peter’s complicated Creole heritage taints Maria’s mother and brother against him.

Jenkins was a successful documentarian who died in 1982 shortly after finishing Cane River, his narrative debut that was believed to have been lost until 2014. He said watching the film for the first time was bittersweet. Horace Jenkins wasn’t a member of the so-called La Rebellion Movement (aka The Los Angeles School of Black Filmmakers), but they were his indieworld contemporaries. “He was very inquisitive, curious, and that fed his storytelling,” he said. “Cane River” has a clunky, amateurish charm.

To that end, the film pointedly presents Maria’s older brother — angry, hard-drinking former football rival of Peter’s who spends his days working at the local hatchery to put his sister through college and his evenings getting soused into oblivion. Horace Byrd Jenkins III won Emmy Awards for his contributions to the TV programs "The Advocates," "Sesame Street," and "30 Minutes" (CBS TV series), and was a pioneer in the TV magazine format with the program "Black Journal." Subscribe HERE to the FREE Media Play News Daily Newsletter! It’s easy to see him as a shadow figure of our poet protagonist, the man Peter might have become were he not born into his family’s advantages. Copyright © 2020 Penske Business Media, LLC. Sign up for our Email Newsletters here. And Haile Gerima’s “Ashes and Embers,” was made the same year. Peter’s sister has a fantastic first scene with Maria, in which she not-so-subtly grills his new girlfriend about her religious and cultural background.

“My dad was a filmmaker who was driven to make films that honored black people, and showed how rich our histories are, and how varied and complex we are, but he was not a businessman, so we’re trying to get it right this time,” Jenkins said. He was previously playing with AEK Athens of the Greek Basket League, with Pistons draft pick Andreas Glyniadakis. IndieCollect has completed a 4K restoration of the film, which will be released for the first time after almost 40 years. Contact. Returning to the United States in 1967, he became an associate producer for a science series on public television. The film’s supporting cast is often more interesting than the love story at its center. A budding, forbidden romance lays bare the tensions between two black communities, both descended from slaves but of disparate opportunity — the light-skinned, property-owning Creoles and the darker-skinned, more disenfranchised families of the area. Horace B. Jenkins’ Cane River is just such a film.

Barely released in 1982 and all but unseen for over three decades, Horace B. Jenkins ’ “ Cane River ” was an independent-film anomaly: a race and … History Restored: Horace B. Jenkins’ Lost Film ‘Cane River’ (1982) Released After Almost 40 Years, Under the Blood Moon: ‘Messiah of Evil’ (1973), You Better Not Cry: ‘Christmas Evil’s Melancholy Holiday Madness, You Can’t Get the Milk for Free: Kelly Reichardt’s ‘First Cow’, The Silence of Survival: ‘Invasion of the Body Snatchers’, This Is Where It All Ends: Roger Watkins’ ‘The Last House on Dead End Street’ (1977), The Devil’s Work: Benjamin Christensen’s ‘Häxan’ and the Limits of “Director as God”, 15 Essential Films About Witchcraft Through the Decades, Split Tooth Media is looking for contributors. Culture Clash: Creoles and darker-skinned African Americans have conflicts that stem from issues of colorism and classism within the community. It is currently making a theatrical run across the United States with a home video release from Oscilloscope Laboratories to follow. “Cane River” is the story of two lovers who each descended from slaves, but of disparate opportunity: Peter (Richard Romain) comes from the lighter-skinned, property-owning Creoles of Cane River, while Maria (Tômmye Myrick) belongs to the darker-skinned families who faced greater discrimination. Richard Pryor, then shooting “The Toy” in Baton Rouge, attended the screening in disguise.
Thanks to the considerable rescue efforts of Sandra Schulberg’s IndieCollect and a host of other film foundations, a 4K digital restoration of “Cane River” is screening at the Museum of Fine Arts for the next two weeks. It was a lot for an independent black filmmaker to take on in 1982; the 1970s Blaxploitation era was in the rearview, and Spike Lee’s “She’s Gotta Have It,” which would launch a new generation of black filmmakers, was still four years away. After his schooling, he worked in Europe for NBC International and managed film departments of television stations established in Saudi Arabia. “He was driven to tell this story after he went to Natchitoches, where his girlfriend was from, and saw what was happening in terms of land ownership and color, and thought it was a great entry into a story. Horace B. Jenkins, an award-winning film maker, died Friday in St. Luke's Hospital in Manhattan, where he had been admitted two days earlier, following a … (Courtesy Oscilloscope Films) This low-key charmer stars the strapping Richard Romain as … Interviews with leading film and TV creators about their process and craft. At times the historical aspects come across as slightly didactic — as when Peter recounts the research he has done on his family history to Maria or when the lawyer gives a statistical account of how much land has been stolen from African Americans over the centuries — but Jenkins’ light and mostly un-melodramatic approach allows these issues to stick out without overshadowing the romance at the heart of the film. Sadly, Jenkins died the same year — long before the film resurfaced in 2013, when its original negative was discovered in the vault of New York City’s DuArt Film & Video. Maria’s brother, whose name is “Brother,” is an old high school football opponent of Peter’s. Special features include an archival TV interview with Jenkins; a new video interview with stars Richard Romain and Tommye Myrick; a new audio essay by Sacha Jenkins, son of the director; a post-screening discussion at Ebertfest (2019); and the theaterical trailer. Horace Jenkins got his break in the summer of 2004, playing in the NBA Summer League with the Detroit Pistons. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox.

Directed by Horace B. Jenkins. It’s on a visit to an old plantation owned by his ancestors that Peter meets Maria Mathis (Tommye Myrick) a spiky, 22-year-old tour guide who will soon be off to college herself, having spent the four years since high school scraping together tuition. Now, the film has been remastered by IndieCollect, and Oscilloscope Laboratories will debut the pristine new print at the Brooklyn Academy of Music February 7, with a national rollout to follow. Cane River ultimately explores the deep, lasting scars of African American history and the threats many black communities face to preserve their heritage. Click here to read the latest edition cover to cover, on Once-Lost Film ‘Cane River’ Available on Disc From Oscilloscope, Once-Lost Film ‘Cane River’ Available on Disc From Oscilloscope. I’ll never forget hearing it suggested that part of the reason for the runaway success of Spike Lee’s 1986 debut “She’s Gotta Have It” was because audiences had gone years without seeing a black couple kiss in a major motion picture. Like the recent rediscovery of Kathleen Collins’ “Losing Ground” — also from 1982 — it’s a vital artifact from a lost part of film history, a tantalizing glimpse of a nascent black independent cinema movement that almost was. Instead, “Cane River” never found distribution. All rights reserved. Sign Up: Stay on top of the latest breaking film and TV news! Peter Metoyer (Richard Romain) is a star college athlete who returns to his Louisiana hometown in Natchitoches Parish after turning down a professional football contract in New York.

To preserve these articles as they originally appeared, The Times does not alter, edit or update them. Horace Jenkins (1941–1982) Producer | Director | Writer + Add or change photo on IMDbPro » Contribute to IMDb. But no one really believed me, because there was nothing really tangible to show people.”. They see him as a troubling companion for the young woman.

When she and Peter are spotted together, word reaches Maria’s mother who warns her against Peter, for his ancestors were not just wealthy black land owners, but a family of ex-slaves who owned slaves and supported the Confederacy.
One can’t help but wonder what might have been had things worked out a little differently for “Cane River.” The 1982 romantic drama was the first and only feature directed by Horace B. Jenkins, an Emmy-winning documentarian and public television director whose credits included “Tony Brown’s Journal” and “Sesame Street.” Independently bankrolled by a wealthy Louisiana family of mortuary owners, the film was made with an all-black cast and crew, most of them working in their positions for the first time. It was written, produced, and directed by Horace B. Jenkins. While little drama is made of it, his presence in the film creates a striking contrast to Peter’s tossed aside professional football contract and his self-centered urging for Maria to pack her own ambitions and mold into his desire for a carefree farm life. It is a strength of the film that the most urgent dramatic elements of Cane River remain in the background. They each romanticize exactly what the other is trying to escape from. Written, produced, and directed by Emmy Award-winning documentarian Horace B. Jenkins, and crafted by an entirely African American cast and crew, the 1982 film is a racially-charged love story in Natchitoches Parish, a “free community of color” in Lousiana. Jenkins shows how rifts and prejudices can engrain themselves within a culture’s memory for centuries, disrupting the joy and romance to be found in the present, while personal histories, the homes and spaces where vivid, life-defining memories took place can be torn down without a second thought for heritage.

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