Talk to the sword. I don’t even know who was with me, honestly. Dutch Schultz (born Arthur Simon Flegenheimer; August 6, 1902 – October 24, 1935) was an American mobster.

This film is an abstract representation of what Schultz was trying to say. He also knew the stenographer had started documenting his words. (Sergeant Conlon questioned Schultz again) – Who shot you? Sure, sure, mama. It smoldered No, no. Some say that Dutch Schultz’s last words represent a mind in delirium; others think that they are clues to secrets abou On October 23, 1935, he was shot by Charles Workman, a hit man who worked for Murder Inc. Schultz was taken to the hospital where he remained alive for 22 more hours; during this time, he was in and out of consciousness. Dutch Shultz, born Arthur Flegenheimer, was a notorious mobster in the New York area in the 1920’s and 30’s. He made his fortune through organized crime including bootlegging and the numbers racket.-Dutch Shultz Last Words. I am so sick now. Get out. Oh, mama, mama, mama. Let him harass himself to you and then bother you. I don’t know who can have done it. They did it. Illustrations added a great deal to the film script. (Statement by Mrs. Schultz) – This is Frances. Please put me up on my feet at once. In 1935, mobster Dutch Schultz was using the bathroom at the Palace chophouse in New York when Charles "Charlie the Bug" Workman walked into the back room and shot dead three of Schultz's associates: bookkeeper Otto "Abbadabba" Berman, number one henchman Abe Landau, and bodyguard Bernard "Lulu" Rosenkrantz. Schultz was still standing at the urinal in shock when Workman strolled in and shot him below the heart. Burroughs really finds his metier here. Though Shultz final words are considered incoherent gibberish, Shultz always thought about is money. Great take on the gangster's actual last words..

Please, look out. At this point Mrs. Schultz left the room.

However, Shultz did not die immediately and hung on for an additional 22 hours. Then Henry, Henry, Frankie you didn’t even meet me.

What have you done with him? Ah please, papa. Burroughs fills in the gaps in the transcribed real-life (or perhaps real-death) last words of Schultz, telling us a fragmented but vivid tale of delinquency, crime and the rise and fall of a gangster. A.- No. I take all events into consideration. Reserve decision. Please I had nothing with him he was a cowboy in one of the seven days a week fight. Curious. Please, please, oh please. We need it. An appointment. He is jumping around. O.K. No business; no hangout; no friends; nothing; just what you pick up and what you need. I am sore and I am going up and I am going to give you honey if I can. Police, mamma, Helen, mother, please take me out. Who gets it? French-Canadian bean soup. Why can't he just pullout and give me control? Mother is the best bet and don’t let Satan draw you too fast. Schultz in the morgue. by Arcade Publishing, The Last Words of Dutch Schultz: A Fiction in the Form of a Film Script. For the next twenty hours, police stenographers recorded his unbelievable death, as he rambled a few thousand bizarre words before finally muttering something unintelligable and then dying. (as Stef van den Eynden).

Dutch Schultz One of the best books I've read by Burroughs. Come on, get some money in that treasury. Please, you know me. The sidewalk was in trouble and the bears were in trouble and I broke it up. Refresh and try again. Odd duck, even by Burroughs standards. Look out mamma, look out for her. Please don’t ask me to go there. Video review with a Burroughs hand puppet to aid and abet, One of the best books I've read by Burroughs. These are where we visited. How do you know this? the short pan-ins and pan-outs of each mini-scene shot reminded me of the highly effective and highly original cinematography of Jim Jarmusch. You will have to please tell him, you got no case. I will settle the indictment. Use the HTML below. William Seward Burroughs II, (also known by his pen name William Lee; February 5, 1914 – August 2, 1997) was an American novelist, short story writer, essayist, painter, and spoken word performer. Anybody. Kindly take my shoes off. Prior to his execution, Shultz had managed to hide his fortune in a strong box consisting of Cash, Bearer Bonds, Gold, and Silver. The glove will fit what I say oh, Kayiyi, oh Kayiyi. Burroughs seemed to have entered a very calculated & focused new phase w/ this one. Let us know what’s wrong with this preview of, Published Dutch Schultz's Last Words. I know who they are. I don’t want to. Please, mother, you pick me up now. Fast and furious. It is confused and its says no. But most of it is pretty standard gangster rise and fall. If he wanted to break the ring no, please I get a month.

Open those shoes. Shut up, you got a big mouth! Sir, please stop it. A primary figure of the Beat Generation and a major postmodernist author, he is considered to be "one of the most politically trenchant, culturally influential, and innovative artists of the 20th century. (Statement by Sergeant Conlon) – Don’t holler. Facing two tax evasion charges, Shultz asked for permission to kill the prosecutor Thomas Dewey which was denied. Open this up and break it so I can touch you. We may never know until the mystery is solved. His influence is considered to have affected a range of popular culture as well as literature. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. When paramedics arrived, Schultz had dragged himself out and was sitting bleeding at his table. All right, mother. Please. Leggere e poi recensire una sceneggiatura non è cosa semplice. I am so sick. A.- Two thousand. The Literary Outlaw looking for wisdom in the dying words of gibberish muttered by the Prohibition era gangster Dutch Schultz as he lay in hospital, slipping into the Big Sleep, murdered by The Mob for being too reckless. His room was guarded around the clock, and a police stenographer was stationed at his bedside in the hope of learning who his assailant or assailants were. A wounded gangster dies in a hospital room as the police transcribe his last words hoping to find out who shot him. John? In his final hours, a police stenographer was brought in as Sergeant Luke Conlon questioned Shultz for information. The shooting is a bit wild, and that kind of shooting saved a man’s life. Look out for him. Please keep him in control. una sceneggiatura cinematografica di burroughs sulla vita di un gangster anni 30: la precisione con cui vengono previsti dettagli e montaggio fa capire come l'autore ci tenesse alla sua realizzazione, e lo stile sembra vicino a quello di registi sperimentali come kenneth anger.

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