[78] In December 1914, Constance Adams brought home John DeMille, a fifteen-month-old, whom the couple legally adopted three years later. Despite its quick turnaround, the film was fairly successful. Next, he would work with writers to develop the story that he was envisioning. DeMille was accused of antisemitism after the release of The King of Kings,[281] and director John Ford despised DeMille for what he saw as "hollow" biblical epics meant to promote DeMille's reputation during the politically turbulent 1950s.

He was disliked by many inside and outside of the film industry due to his cold and controlling reputation. The Union Pacific gave DeMille access to historical data, early period trains, and expert crews, adding to the authenticity of the film. He claimed he abandoned the project in order to complete a different project, but in reality, it was to preserve his reputation and avoid appearing reactionary. [17] The family lived in Washington, North Carolina,[18] until Henry built a three-story Victorian-style house for his family in Pompton Lakes, New Jersey; they named this estate "Pamlico". [85][86] In addition to his Paradise, DeMille purchased a yacht in 1921 which he called The Seaward.

[110] After the release of DeMille's The Godless Girl, silent films in America became obsolete and DeMille was forced to shoot a shoddy final reel with the new sound production technique. [261][262] He was known for his unique, working wardrobe which included riding boots, riding pants, and soft, open necked shirts. DeMille's highest-grossing films include: The Sign of the Cross (1932), Unconquered (1947), Samson and Delilah (1949), The Greatest Show on Earth (1952), and The Ten Commandments (1956). DeMille was named after his grandmothers Cecelia Wolff and Margarete Blount. Once there, he chose not to shoot in Edendale, where many studios were, but in Hollywood. [171] DeMille's autobiography was mostly completed by the time DeMille died and was published in November 1959. DeMille did not believe a large movie set was the place to discuss minor character or line issues. The Ten Commandments (Documentary: “Making Miracles”) (Six-Disc Limited Edition Blu-ray/DVD Combo) Cecil B. DeMille / Paramount. Iribe left DeMille’s staff after designing a portion of The King of Kings (1927). [207], DeMille made stars of unknown actors: Gloria Swanson, Bebe Daniels, Rod La Rocque, William Boyd, Claudette Colbert, and Charlton Heston. [49] In the 1910s, DeMille began directing and producing other writer's plays. [80] The first few years of the Lasky Company were spent in making films nonstop, literally writing the language of film. Additionally, he often starred in prologues and special trailers that he created for his films, having an opportunity to personally address the audience. [103] It held the Paramount record for twenty-five years until DeMille broke the record again himself. Sarris added that despite the influence of styles of contemporary directors throughout his career, DeMille's style remained unchanged. The mistress could not keep the boy due to her tuberculosis.

[280] However, not everyone received DeMille's religious films favorably. [227], Cecil B. DeMille's film production career evolved from critically significant silent films to financially significant sounds films. [253] However, Simon Louvish wrote "he was the complete master and auteur of his films"[254] and Anton Kozlovic called him the "unsung American auteur".

[92] DeMille and Adams adopted Katherine Lester in 1920 whom Adams had found in the orphanage over which she was the director. In that respect, he was better than any of us", Wellman added. Cecil Blount DeMille was a founder of the Hollywood motion-picture industry. [61], The Lasky Play Company sought out William DeMille to join the company, but he rejected the offer because he did not believe there was any promise in a film career. [131] Broadcast on the Columbia Broadcasting System (CBS) from 1935 to 1954,[132] the Lux Radio show was one of the most popular weekly shows in the history of radio. [109] Eight of his films were "epics" with five of those classified as "Biblical". [62] They offered Farnum a choice to have a quarter stock in the company (similar to William deMille) or $250 per week as salary.

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