Ricky Nelson What made him even more of a wonder is that he pulled off all of this despite being the 60’s heartthrob equivalent heartthrobyles. —Patrick Filbin, “I hope I die before I get old.” In a generation full of spokespeople, Townshend may not have been quite as outspoken as his peers, but this simple phrase from “My Generation” continues to capture the essence of its time. The Archies were the studio creation of rock impresario Don Kirshner, who earlier produced the Monkees but grew tired of trying to make the flesh-and-blood band members conform to his directions. Now we are up to taking that. — Bonnie Stiernberg, Everyone from The Beatles to She & Him has covered this track, but no one can touch the original. The Lovin' Spoonful Members save 30% off the first year of a World Explorer subscription. Well the plan worked well, and provided some great songs in ‘I’m a Believer’ and ‘Last Train to Clarksville’, but ‘Porpoise Song’ embodied the singularity of the 60’s, they got tired of being puppets, and decided to do what they were best at, even if that meant saying goodbye to their teenage fans and record sales. — Bonnie Stiernberg, The MC5 group was known for their aggressive, political-fueled live shows that, along with fellow Michiganders the Stooges, set the stage for punk rock acts for years to come. Remember Shopping at the A&P Supermarket? But with “Gimme Shelter,” the Stones—those Satanic majesties—go full-tilt to the dark side, reflecting all the apocalyptic anxiety of the Vietnam era without ever directly referencing the conflict that defined their generation. | You must be logged in to leave a comment. James Brown, “Papa’s Got a Brand New Bag”, 71. Phil Ochs, “I Ain’t Marching Anymore”, 52. The Doors' "Light My Fire" reflected the darker and more rebellious side of rock, especially after singer Jim Morrison refused to change the song's most controversial line ("Girl, we couldn't get much higher") for the band's live performance on the The Ed Sullivan Show. Comments: 0. It heralded a new type of anti-establishment song; in the 60’s songs that spoke about social unrest moved into the mainstream and became the voice of the masses. “My Way” is both melancholic and uplifting, not afraid to confront emotion. —Ron Hart, This song became a big deal even before the 13th state in the union officially decreed it the official state song in 1979. Get instant access to discounts, programs, services and the information you need to benefit every area of your life. Also premiering in 1963 was Jan and Dean's "Surf City" (co-written by Beach Boy Brian Wilson), the first surf-rock song to hit No. —Kyle McKenney, As the American public and mass media learned in the ‘60s, one of the best ways to protest unsavory governmental decisions was through song. Marvin Gaye and Tammi Terrell, “Ain’t No Mountain High Enough”, 34. In other words, it’s a perfect approximation of the rapid heartbeat and soaring emotions of someone in love. The baby boomers came of age and for the first time young people went out to life, instead of waiting for life to come to them. —Josh Jackson, Supposedly, this ballad was written as a response to the turbulent times when the Civil Rights Movement and anti-war protests were reaching their peak temperatures. It’s impossible. 1 to the equally conjugal boundary setting “Don’t Come Home A’Drinkin’ (With Lovin’ On Your Mind),” it cemented her no-mess reputation with a song that’s been covered by Pistol Annies, Johnny Paycheck, Nanci Griffith/Eilen Jewell/Kelly Willis* and the Little Willies. An apt follow-up No. Practicing what they preached, the all-white band refused to play any concert gig that did not also feature an African American band. With 50 years of study, it’s easy today to see the song’s surrealistic lyrics for what they were—a knowing retort, but empathetic, to a privileged woman who has had her comeuppance. The soft layer of sound created by Simon’s guitar is pierced by fierce beats on a snare drum that makes one of the best instrumental moments from any Simon & Garfunkel song. —Logan Lockner, A hauntingly beautiful tale of unrequited love, “Pale Blue Eyes” is about recognizing you’re being used and allowing it to happen anyway. And the vocal is framed with precision and love by the instrumental solos: guitar at the opening, electric violin and flute in the middle of the song.

The poignant effect of the flute is a tribute both to the orchestration and to John Phillips, who arranged (and wrote) the song. The song was released as the third single by The Shangri-Las, their first on Red Bird Records, and became a number five hit on the Billboard Hot 100,[6] and number nine on the Cashbox R&B chart. Back in 2008, Diamond told us the history of the song, written for John F. Kennedy’s daughter Caroline: “It was her birthday and her husband [Edwin Schlossberg] called up and said, “Neil, could you sing happy birthday to Caroline?” I agreed to do it so we set up a cross-country satellite thing in my little studio here in LA. The very concept of the song (“California dreamin’ on such a winter’s day”) is evocative; but it is the execution of the song that makes it a masterpiece. And that’s very strange and also very sad.

Turn! Free chapter from AARP’s book by Julia Mayer and Barry Jacobs. The 1960s are often considered the best decade for music in America. More than the specifics of what he did, it’s important to him that he stayed true to himself. Fun Fact: Another piece of harmless good-looking popular culture debuted in 1961 — the Ken doll. —Robert Ham, “Good Vibrations” was Brian Wilson at his best, before he became his worst—a brilliant demonstration of what The Beach Boys may have done before mental illness derailed their frontman’s career soon after this song became released. Artie Butler reference in: Visconti, Tony. I asked if they’d mind if I sang “Sweet Caroline.” So the connection was made to this gathering at the New York Public Library. —Hilary Saunders, Although the album version of this significant song appeared on Nina Simone’s 1970 album Black Gold, the single was actually released in 1969, thus making it eligible for this list.
The fact that you are married only proves you’re my best friend.” Anyone who has ever been friend-zoned can relate to the aching sadness oozing from this track. Simon & Garfunkel, “The Sound of Silence”. Here are 10 famous 1960s dances that you probably remember. —Robert Ham, We once designated this song as one of 10 songs people need to stop covering. Soul, blues, jazz, pop—put it in front of her, and she could sing it, breaking your heart on one track by sounding gritty, raw and broken before putting a big, stupid grin on your face on the next song with vocals that were smooth and pristine. The song not only topped the charts, it inspired a dance craze that spread across the nation in the early 1960s. With “At Last,” the title track of her 1961 album, she delivers arguably one of the most iconic songs of all time. The song, composed by Jeff Barry and Andy Kim, spent four weeks at #1. But the prominence of the form undermines our knowing anything about all that. — Zach Blumenfeld, Jazz has a supernatural presence when crafted correctly. —Mark Lore, This song is poignant as a longing, even desperate, appeal to his real-life lover Marianne Jensen but, like much of Cohen’s work, it’s so much more than autobiography because of a soaring refrain that gains meanings with each of its many repetitions. And over which, Dylan’s strange lyrics seem triumphant, yet also full of warning, as his unglamorous voice brimming with attitude, holds onto syllables as if they were gleeful riders on a hurtling-downward roller-coaster.

The 6/8 time signature and the renaissance feel of the instrumentation give the song the tone of a dirge but Cohen’s vocal performance – exploding into each refrain with a tangible sense of awe – is the essence of rock ’n roll. Up until that point, the song had been bouncing along the runway, fueled by handclaps and those tightly wound harmonies of the backing vocals. — Bonnie Stiernberg, The passion in frontman Levi Stubbs’ vocals is palpable, but in case you didn’t pick up on it, he drives it home with the line “You mean more to me than a woman was ever meant to be.” — Bonnie Stiernberg, If this song sounds suspiciously like a Motown rip-off, fear not.

It’s those first few moments after a bad breakup or the beginnings of a long distance relationship with an uncertain future. From that very first “WHAT you want…” it’s clear this is an anthem, one that timed out perfectly with the civil rights era and the feminist movement, but it can be applied to pretty much anyone who’s looking for a little R-E-S-P-E-C-T. Aretha demanded her propers, and nearly half a century later, she still reigns as the Queen of Soul, thanks in no small part to this undeniable track. —Mark Lore, The Jimi Hendrix Experience never sounded better than they do on “Fire,” arguably the liveliest performance the trio ever put to tape.

But even if this 1963 single should actually just be taken at face value, “I Want To Hold Your Hand” exemplifies the era’s joyful pop rock, noted by kitschy handclaps, a swinging backbeat and perfect Fab Four harmonies. One is that immediately upon his realization of not having a song, he parked next to a beach on Long Island and there wrote the song. 1 hit in 1976 with "Welcome Back" — the theme song to Welcome Back Kotter. The Velvet Underground, “Pale Blue Eyes”, 70. —Robert Ham, California, land of Ronald Reagan and P. F. Sloan, deserves the credit for latching on to these four wanderers long enough to record them and turn them into superstars. Their catalog included their infamous, yet, most famous, f-bomb-dropping “Kick Out the Jams”—a hard-rocking tune that’s been covered by the likes of Rage Against the Machine and Pearl Jam.

Rather, the glinting harpsichord and lightly Eastern-influenced percussion simply nudged the door open for the group to embrace more psychedelic sounds.
Here are the 100 best songs from the ‘60s. [2] He used The Shangri-Las on the demo, which he himself produced.

“As tears subside, I find it all so amusing,” he sings, “To think I did all that.” ‘Ol Blue Eyes is looking back on everything, and though things may be coming to an end and he may not have made all the right choices, he—and anyone else listening—can be proud that they’ve done it their way.

It was originally recorded by the girl group The Shangri-Las, who had a top five hit with it in 1964. —Hilary Saunders, Girl-group perfection, this song took The Marvelettes to the top of the charts right out of the gate. More importantly, it laid down the blueprint for how songs were written and performed. Not only were those changes evident in fashions but world events,music of the 60s, automobiles, toys, and individual self expression as displayed during the largest outdoor rock concert ever performed, Woodstock.

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