Standing alone, this show is a sweet but slight work. The cast are largely strong and do a commendable job of breathing new life into a well-loved tale. Only Harriet Thorpe briefly adds some oomph and presence as Annie's sharp-tongued mum. If you are going to turn an iconic film and sparkling script into a musical you better have a very good reason. Sam soon begins to receive letters from enthusiastic women all over the country, each one hoping they'll land the man dubbed 'Sleepless in Seattle'. It blurs into a jazz-light background and some of the clumsy lyrics clank painfully. The simple but inventive set is a single large perspex cube, one half is Sam's Seattle waterfront home, the other is Annie's Baltimore life. Here's hoping this production signals the start of better times ahead for the theatre industry as a whole. A background chorus dressed in muted greys and beige reinforce the low-key tone. order back issues and use the historic Daily Express Temperatures were checked on arrival and hand gel was readily available at every turn.

The problem is that this Annie is not engaging. Audience members were sent e-tickets with accompanying safety advice prior to the performance, and all staff and audience members are required to wear masks or visors.

The Troubadour Wembley Park Theatre was certainly abuzz for the opening night of Sleepless: A Musical Romance - the first fully staged musical to take place in the UK since the beginning of lockdown.

As is true of the film, you feel for the decent if dull Walter (Daniel Casey), Annie’s partner, who is blindsided by her gathering infatuation with a voice she needs to see made flesh. That they have done so is an assertion of their faith in the power of theatre to make people feel better, the capacity of love to conquer all, and worthy desire to show that it is possible to put freelances back to work. There was even a selection of complimentary Sleepless branded visors available for the audience to use (and take home of course!) He gives the skilled and nuanced performance of an actor well beyond his years, and has a glorious voice to boot. The depressive Seattle architect Sam, in turn, is upstaged in this telling by his matchmaking son, Jonah, the 10-year-old here played by a young vocal dynamo, Jobe Hart, another alumnus of the musical “Big.” (Hart shares the role of Jonah with three other boys, in accordance with union requirements.).

HA9, Making safe musical is 'costly' but worth it, says Sleepless producer, Sleepless review: Kimberley Walsh brings oomph to sweet musical for showbiz-starved times.

The only razzle-dazzle number is Now Or Never, performed by the charming Jobe Hart as Jonah and Cory English as Sam’s friend Rob. There's much here to admire anyway.

With the current state of the world, live theatre starting to come back is like a hope-filled, sweet dream come true, just like Sleepless: a Musical Romance. Mathurin's engaging presence and warm demeanour are just the ticket for a musical of this style. Jesus Christ Superstar may already have made a triumphant return to Regent’s Park Open Air Theatre, but this vivacious reworking of the Tom Hanks- Meg Ryan romcom brings song and dance back to an indoor venue. Michael Burdette’s book takes its lead from the Oscar-nominated screenplay co-written by Nora Ephron, at times running certain references into the ground. And there is something mad and brilliant about turning an American classic film into a musical in a big shed in Wembley in the middle of a pandemic.

Express. Safety precautions are in place.

It also niftily transforms into the aforementioned New York landmark. In fact, all the best numbers go to the minor characters: there's a zesty song for three women who write to Sam after hearing him on the radio, and a clever duet for Jonah (impressively played at the performance I saw by Jobe Hart) and Sam's mate Rob (Cory English) in which they decide to take action. The plot is paper-thin, but full of an understated longing for the world to be better and to have a purpose. Kimberley Walsh as Annie and Jay McGuiness as Sam.

He touches loveless female hearts nationwide, including journalist Annie (Walsh) in Baltimore, 2,773 miles away. Troubadour Wembley Park

(This “Sleepless,” by the way, is not connected to a separate 2013 stage musical that had its premiere at the Pasadena Playhouse in California.). It’s bracing to find a musical showcasing a new British composing team in Robert Scott and Brendan Cull amid a climate still defined this side of the Atlantic by Andrew Lloyd Webber, whose new musical, “Cinderella,” is among the many autumn openings that have been postponed. While beautiful to look at, the Golden Age Hollywood-style finale feels a tad out of place - and is quite a strange ending following the famous climactic scene atop the Empire State Building. The play, like the film, is unusual for keeping its romantically inclined leads apart until the very end.

Kimberley Walsh, Jay McGuiness, and the company of SLEEPLESS, credit Alastair Muir. The show faithfully follows the story and the script of the Nora Ephron movie, about sad widower Sam (McGuiness), whose son Jonah rings a national radio show to make a Christmas wish for a new love for his dad. Sam's story piques the interest of hopeless romantic Annie (Kimberley Walsh), a newspaper reporter 3,000 miles away in Baltimore. But they bring to the stage version a cheerful, hard-grafting energy honed from their years in pop bands, as Strictly contestants, and in previous theatrical knock-offs of cinematic gems, such as Big and Elf. What Annie responds to in Sam is his ability to talk about love and to acknowledge feelings – "I can't believe I'm so affected/A guy opened up/It's so unexpected"; her beau, on the other hand, has given her stock in the company for a Christmas present. Walsh sings cleanly and clearly and is thoroughly engaged with the role. The 1993 romantic comedy starring Tom Hanks and Meg Ryan is transformed into a musical at the Pasadena Playhouse. But it’s unclear why Annie really needs to sing of her love for Grant — just as it’s hard to believe that so avid a film buff would debate the pronunciation of Kerr’s last name. Sleepless is at Troubadour Wembley Park Theatre until 27 September. Registered office: 1 London Bridge Street, SE1 9GF. Saddled with a boring boyfriend, she smells a story to rival the old movie romances she adores. I'm just glad it's there.

The lights went down, the band started up and we all prayed that finally the show might go on. “Sleepless: A Musical Romance,” which opened on Tuesday at the Troubadour Wembley Park Theater, is more noteworthy for what it represents than for the show itself: London’s first fully staged indoor musical since the coronavirus pandemic brought live performances to a halt back in March. Review - Sleepless: A Musical Romance at Troubadour Wembley Park Theatre You have to admire the energy and chutzpah behind this new musical, based on the much-loved 1993 movie Sleepless in Seattle. SLEEPLESS: A MUSICAL ROMANCE review: Strictly Come Dancing stars Jay McGuiness and Kimberely Walsh reunite for London's first indoor show since lockdown, based on … What's New on BroadwayHD for October 2020?

By signing up you are confirming you are 16 or over. There are a few standout songs with rather witty lyrics, however a lot of the score feels pretty generic in terms of style and originality. ★★★★☆Is this a musical I see before me? Standing behind the boundlessly charming and moving original it fades away. Audiences will be socially distanced and the producers and venue will … Sleepless, A Musical Romance: Troubadour Wembley Park Theatre, London, until 27 September 2020. Sleepless is at Troubadour Wembley Park Theatre, Guest Blog: Non-binary Writer Delmar Terblanche On Horror Podcast TALES FROM THE TOMBSTONE TAVERN, Further Details Announced Ahead Of the 2020 Olivier Awards, Shakespeare's Globe Announces Socially Distanced Open-Air Film Screenings and The Comedy Store Players, BWW Review: THAT DRAG SHOW!, Proud Cabaret City, BWW Review: THE TEMPEST, The Duke Of Kent Ealing, BWW Interview: Tsemaye Bob-Egbe Talks PIPPIN at the Garden Theatre, BWW Review: THE BOSS OF IT ALL, Soho Theatre, BWW Review: JANIE DEE: A NEW LIFE, Crazy Coqs, BWW Review: SLEEPLESS: A MUSICAL ROMANCE, Troubadour Wembley Park Theatre.

The Reviews Hub - London 02/09/2020. Based on the hit 1993 hit film “Sleepless in Seattle,” the production is London’s first fully staged indoor musical in months. Yet both are attractive presences, and the entire show has style and class. Directed by Morgan Young and based on the hit 1993 film Sleepless in Seattle, the story centres around loveable widower Sam and his kismet encounter with starry-eyed reporter Annie. Yes, indeed. Clive Davis.

The hardworking ensemble feels underused - but in fairness, this could be a decision made in an effort to minimise the amount of bodies on stage at any one time (the cast are situated in dressing room 'bubbles' according to who they share the stage with).

Not only do I adore the original film, I applaud the producers and perfomers' devotion to the arts in trying times.

The week in theatre: Beat the Devil; Sleepless: A Musical Romance – review Bridge, London; Troubadour, Wembley Park David Hare’s explosive, first …

The musical numbers he shares with Jonah ("A Whole Different Ballgame" and the brilliant "Now or Never") really are the best in the show. Of the handful of shows that have returned to the stage since coronavirus closed theatres, this musical version of the 1993 romcom Sleepless in Seattle starring former pop stars Kimberley Walsh and Jay McGuiness is the most ambitious – and the most seemingly normal. I particularly liked the details: the way that Ian William Galloway's video designs have the description of the architectural plans written along the top, in a nod to Sam's profession as an architect; how Sue Simmerling's costumes introduce flashes of colour into a desaturated world. DON'T MISS Princess Diana musical to spark RAGE if show comes to UK - 'Shameless'Jay McGuiness: Strictly Come Dancing star reveals backstage tantrumsGirls Aloud's Kimberley Walsh on Sleepless: A Musical Romance.

Walsh and McGuiness signed up for Sleepless, A Musical Romance long before lockdown and both felt apprehension on day one of their return, but … Sleepless: A Musical Romance review — a dream of a feelgood treat without all the schmaltz Troubadour, Wembley Park.

The reviews are in for Sleepless at London's Troubadour Wembley Park Theatre, after opening September 1. Brendan Cull’s lyrics are full of gawky rhymes but Walsh in particular has the oomph to sell them.

It even cranks in a cute (if rather random) ballroom number after the actual show ends. The production's book sticks close to Nora Ephron's classic film as McGuiness' architect Sam struggles after the loss of his wife. Then again, Annie is the sort who thinks that “even the word exotic sounds exotic,” so there’s no telling where her conversations may lead. SLEEPLESS, A Musical Romance, based on the original screenplay Sleepless in Seattle, will premiere at the Troubadour Wembley Park Theatre, London on 1 September 2020, with previews from 25 August.The limited season will run until 27 September 2020. Wednesday September 02 2020, 12.01am, The Times. With a book by Michael Burdette and songs by British duo Robert Scott and Brendan Cull the story is told with swish and flair.

‘Sleepless’ Revives London’s Pandemic Musical Scene, if Only Just. Such a simple act: so affecting now.

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