But when it sees the deep-fried rat the trapper has been using as bait for his traps, the fox can’t help himself: he takes the bait (an excerpt from this passage in the play can be viewed here). The second slip celebrates the Gōriki Inari shrine. A shape-shifting fox assumes the form of the man’s uncle, a priest called Hakuzōsu. The third slip above depicts a kabuki play that has nothing to do with foxes. Yoshitsune sends away his mistress, the dancer Shizuka, and asks one of his retainers, Tadanobu, to watch after her; Yoshitsune gives Shizuka a drum as a keepsake. This page, meanwhile, will concentrate on more overtly yōkai-esque depictions of foxes. The votive slip below relates to a shape-shifting fox popularized not in kabuki but in kyōgen, a comic theater tradition dating back to the medieval period. The fox is known as Hakuzōsu and features in a play called Fox-Catching (Tsurigitsune 釣狐). The first (also discussed in connection with yōkai and parades) depicts a fox wedding procession, or kitsune no yomeiri 狐の嫁入り.

This may explain why the foxes here have selected sumo for their entertainment. The first slip celebrates the Toyokawa Inari shrine in Akasaka, Tokyo (the name of the shrine in each slip is written on the banner on the left side of the scene). Change ), You are commenting using your Google account.

The second slip also shows a fox parade, or rather the front end of it. One popular form of worship was the senjamairi 千社参り or “thousand shrine pilgrimage,” a visit to as many Inari shrines as one could find. The fox at left has bewitched two peasants into thinking that they’re samurai retainers on parade. As yōkai they are infamous for being mischievous tricksters. ( Log Out / 

Creative Commons Attribution-NonCommercial-Sharealike 4.0 International License. Please log in using one of these methods to post your comment: You are commenting using your WordPress.com account. Early modern weddings included a procession escorting the bride from her parents’ house to her new husband’s house, ceremonially demonstrating how a bride was thought to be leaving her old family behind and joining her new one. In stage presentations of the Genkurō story, the robes worn by the actor playing the fox are decorated with kitsunebi, much like the robe worn here. They are all capable of taking human form, often choosing to appear as beautiful young women or men. Another is as shape-shifting magical foxes; these are the classic foxes or kitsune of yōkai stories.

Early modern clothing didn’t have pockets in the same way modern trousers and shirts do.

The other is its connection with Inari worship.

They’re selections from a large set of one-panel slips depicting different Inari shrines. ( Log Out /  The ema promises “exorcism of fox possession.”.

If you haven’t heard of the kūko and kiko before, it might not have made it into any English translation yet.

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